Blog Director

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SHOW REVIEW: St. Vincent at The Music Box

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Fall break 2011 ended fantastically, for me, with a chance to see one of my favorite musical artists of the past couple years: St. Vincent. Even if you don’t listen to St. Vincent, you may have enjoyed frontwoman Annie Clark’s skills without even knowing it: she was a member of both The Polyphonic Spree and Sufjan Stevens’ touring band. Clark, a porcelain-skinned, deceptively-waifish singer and guitarist, is an artist whose sheer talent claws its way through the feeblest of earbuds, unable to be ignored—so you can imagine my excitement to see her perform live. Her talent—and there really is a considerable lot of it—was in full, spotlit, often overwhelming display on Tuesday night.

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ALBUM REVIEW: American Goldwing by Blitzen Trapper

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As far as bands go, Blitzen Trapper has become one of my favorite traveling companions. Don’t worry–I’m not harboring any delusions about having spent a wild month on tour with them, rattling across the country one dimly lit bar or crowded nightclub at a time. I’m talking about the way their songs create a sense of adventure, a narrative that leads you on a journey through a distinct environment—usually past a woodsy creek or through a sleepy mountain town. The band has proved they are gifted raconteurs and American Goldwing, their sixth full-length album, is no exception to this.

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SHOW REVIEW: Toro y Moi at El Rey

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It was a Monday night. I’d like to think I’m a responsible student. I rarely go out on school nights; heck, I would never just drive into LA to go to a concert. But on Monday, October 3rd, I did just that–specifically, to see Toro y Moi. My friends and I got in line about a half hour before the doors opened. To our surprise, the man of the hour himself, Chaz Bundick (better known by his stage name, Toro y Moi) casually walked by with the band. The people waiting in line, ourselves included, started applauding and before he rounded the corner to the stage entrance, Chaz turned and waved excitedly at his fans.

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Happy College Radio Day!

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Greetings, music fans everywhere! Today is College Radio Day. What, you might ask, is that (if you didn’t just click on the link)? Well, it’s a day to appreciate and celebrate everything good about college radio–the new music everyone gets to hear, the DJs learning skills and spinning sweet tracks for an audience outside just their circle of friends, and the connections between stations and people that form through our shared love of music.

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ALBUM REVIEW: Tamer Animals by Other Lives

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I have this friend who, whenever I play her a new album, immediately rattles off a list of all the bands it reminds her of. Although most of the time I can completely see how the gruff edge of a singer’s voice could reminds her of The National, or how a frenzy of synthesized beats could evoke Discovery, for some reason this drives me crazy. As soon as the list becomes a weird four-part hybrid (“It’s totally like…Miike Snow meets Dirty Projectors and Grizzly Bear, with a little Animal Collective…”) I wonder why it can’t just be a fabulous experience of new music.

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SHOW REVIEW: Blind Pilot and Dan Mangan at El Rey

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Photo by Rachel Fidler.
I started off October right this year. My suitemates and I headed out to Santa Ana on a whim on the 1st, having found out about this concert only days before, but it was the best decision we could’ve made. My new favorite singer, Dan Mangan, referred to on his website as a “fresh-faced folk singer from Vancouver, Canada”, was opening for Blind Pilot at the Galaxy Theater.

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ALBUM REVIEW: Dig On by She Keeps Bees

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She Keeps Bees plays smoldering, gorgeous, alt-folk rock with a bluesy, rhythmic feel. This powerful, Brooklyn-based duo creates an incredibly resonant, full sound with only guitar, drums and vocals. Jessica Larrabee’s raw, beautiful voice emotes plaintive bitterness, and echoes in aching harmonies across the methodical roll of Andy LaPlant’s drums.

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SHOW REVIEW: James Blake at the LA Music Box

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Photo by Rachel Davidson.
Sunday, September 18, 2011. It would have been a mind-addling, homework-inundated kind of Sunday for me, just like any other… if I had not decided to throw caution to the wind and escape the real world for the night. This otherworldly trip began with an eventful drive on the I-10/101 in a crowded Scripps van with seven of my friends, and after more than an hour and a half of patient waiting, I came face-to-face with my favorite musician, James Blake. Glorious.

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SHOW REVIEW: KSPC Presents TOKiMONSTA and Gavin Turek

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Gavin Turek and TOKiMONSTA kicked off this semester of Art After Hours on September 15th, bringing energy and style to Thatcher’s southeast lawn—the opposite side of Lyon Garden than last year’s Art After Hours setup, and a minor change, but one that both felt like a refreshing alteration and spared the garden’s grass by encouraging more spectators to stand along the paved walkway. Complementing the rebellious theme of the current exhibit at the Pomona Museum of Art, which celebrates the young artists whose work populated the museum between 1969 and 1973, Gavin Turek SC ’09 started the evening with her buoyant set of vibrant, danceable pop music.

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KSPC Charts: 4/18/11 – 4/25/11

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This week at KSPC tUnE-yArDs have the top album of the week! Yeah tUnE-yArDs! w h o k i l l is the sophomore album of Merrill Garbus’s project and we have a full review of the album here for you guys to read! Tune in to KSPC 88.7FM to hear more and check out after the jump to read the rest of the charts from this week.

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ALBUM REVIEW: Tune-Yards – w h o k i l l

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Well, the new Tune-Yards album rules.

On her new album w h o k i l l, Merrill Garbus spends 40 minutes doing what I like best: looping shit. Throughout the album, layers upon layers of noises are piled up to create endless soundscapes, at first seemingly random and rather abrasive. However, these collections of sounds twist and turn into some sort of melody that, God knows how, can for real get stuck in your head. I keep finding myself trying to hum along to heavily-distorted and hard-to-listen-to vocals over blaring saxophone, as is the general feel of “Gangsta”, as if that is even possible. (I fail, of course.) Also note the (French?) police siren that opens the song. I think that acknowledgement alone captures the general essence of Tune-Yards sound on w h o k i l l.

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KSPC TOP 30: 4/11/11-4/18/11

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Congratulations to The Babies for having the top played album on KSPC last week! Their self titled album was put out by Shrimper and is the collaborative product of Vivian Girls’ Cassie Ramone and Woods’ bassist Kevin Morby. Oh, and it rules. Tune into KSPC 88.7FM or listen online to hear more from them, and check out the rest of the Top 30 after the jump!

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