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SHOW REVIEW: Blind Pilot at El Rey

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Photo by Shannon Lubetich.

Saturday November 19, 2011 1:30 AM

I just got back from one of the most amazing concerts of my life: Blind Pilot, with Point Juncture, WA, at the El Rey Theatre in LA on Friday, Nov. 19.

First up was �Point Juncture, WA from Portland, OR.� When asked after the show about the origin of their name, they said they were obsessed with the TV show �Twin Peaks,� and wanted to create their own imaginary town. This puzzled me, because I actually am from Washington, and was wondering where the heck Point Juncture was. Apparently, the band has had several people from Washington come up to them and claim they go to �Point Juncture� all the time� false. Not a real place.

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SHOW REVIEW: GROUPLOVE at El Rey

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Photo by Rachel Fidler.
It�s rather funny that I spent most of October 26 debating on whether or not to go to this show. However, as I was working diligently on my Anthropology midterm, I mused to myself about the purpose of life.

Okay… maybe not something quite that deep.

But I did decide that I had a great opportunity at hand, and so at that moment, I closed my computer, got in my car, and jetted to LA to try and make it for GROUPLOVE at the El Rey.

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SHOW REVIEW: tUnE-yArDs at The Music Box

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The key word I must use to describe the show at the Music Box last Wednesday is layered. It was the so-called remix culture at its finest: danceable, sophisticated loops of vocals and instrumentals, sometimes live and sometimes electronically generated, but never once lazy or unoriginal. I was, of course, lucky enough to be seeing tUnE-yArDs, one of the most exciting recent indie projects out there and one that is, rightfully, blowing up in the biggest and best of ways.

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SHOW REVIEW: Battles at Club Mayan

battles mayan theater ACY4075

Photo by Andrew Youssef (Stereogum).

In support of their latest album, Gloss Drop, Battles graced Los Angeles with a night of experimental rock stylings this Monday, headlining a show at Club Mayan in Downtown LA with tour-mates Walls and Nisennenmondai. The Italian electronic duo Walls opened the show. Working from a a table stacked with samplers, drum machines, effects pedals and other miscellaneous gear, they played a handful of lengthy hypnotic movements characterized by blissful ambience and textures morphing over steady electronic beats. Next came Nisennenmondai, an all-girl three-piece band from Tokyo, who pummeled through an otherworldly and upbeat set of progressive and moody instrumentals. With layered guitar loops, steady bass lines and evolving drum patterns, Nisennenmondai’s songs would typically begin with some minimal instrumentation and develop excitedly into epic freak outs (“Mirrorball”) or sometimes remained stubbornly dense with tension until a song’s anti-climactic ending (“Fans”). The openers’ bands set the mood perfectly for Battles, who are in fact co-currating the next ATP where all three bands are slated to perform.

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