Archive for the 'underground' Category

So Many Wizards In-Studio on Gachan Gachan from 4-6 PM Today!

Thursday, August 26th, 2010

So Many Wizards

The adorably-monikered So Many Wizards will play in-studio on Gachan Gachan w/ DJ Space Cadet from 4-6 PM today. The band is an indie pop band with upbeat melodies and extra keyboard! They’re also one of the most active, up-and-coming bands in LA - LA Record named their new EP one of the top fifteen releases to watch out for this Summer! If you missed them at the KSPC Press Residency in July, this is your chance to hear them!

Cap’n Jazz Review/Preview: My punk rock exorcism

Monday, August 23rd, 2010

Pictured: Rachel D. (bottom left, center) gazing mistily at Cap’n Jazz frontman Tim Kinsella during their 7/23 reunion show at the Black Cat in Washington, D.C. (More photos at Brightest Young Things.) Today, she explains why you should definitely see them on 8/28 at the Echoplex.

July 23rd, 2010 - It is an unspeakably hot Friday night in D.C., probably one of the hottest nights on record. The air conditioner in the Black Cat is out of commission. The bands and the audience are pouring sweat all over one another and their instruments.

As soon as Cap’n Jazz strikes their first chord, we are plastered, literally plastered to the front of the stage, like stinky human papier mache.

The crowd – mostly kids who can’t much older now than the members of Cap’n Jazz were when they formed the band in ‘89 – instantly transform from stand-offish all-ages scenesters into some kind of delighted sea creature, tentacles waving, reaching out to gather the band into its many-limbed embrace. (I’m mixing my metaphors, but please, bear with me.)

The fluid (and, uh, squishy) press forward became kind of comfortable once you adjusted to the idea of being very, very friendly with your neighbors. To the girl to whom I, fearing for my safety, clung bodily for the duration of the night – I’m sorry, I never got your name, but I really do owe you dinner.

It is so unbelievable, unbearably hot. Eventually we stop noticing. We are bathed in a slick of pure adolescent sweat.

Tim holds up his water bottle. People cheer. Tim says, “I kinda feel like a jackass, you know, getting up in front of people and having them cheer for me. But cheering for water! That’s something else. That’s great. It’s like, ‘Yeah!! The source of life!!’” The source of life! Water was dispensed upon us. We are baptized in the streams of Ice Mountain.

Then there is laying on of hands. We touch Tim and he touches us back. While I don’t believe his feet ever actually left the stage, the sea of limbs was such that as he sang, he could periodically just kinda lean forward into the press and be supported and touched in many places.

The really beautiful moment was when – and I can’t explain how or why this happened, chalk it up to the spirit of rock’n’roll – Tim reached out and pressed his palm against my forehead, then gathered me into a sweaty one-armed hug and nuzzled my face. It felt like an exorcism. I was healed.

Later: a young man next to me says, grinning, “Dude, I’ve cried straight through the past five songs!” He was so sweaty, I don’t think anyone would have noticed.

By the end of the night, I was soaking in the sweat and tears of hundreds of young people. It was very human. I felt very alive.

The bottom line: That a group of grown men playing songs they wrote when they were 16, almost 20 years ago, can still incite a teen-age riot is nothing short of a miracle. See Cap’n Jazz at the Echoplex on August 28th. Get up front. And if you value your dignity, for god’s sake do not wear a white t-shirt.

-rachel d.

Summer Staff Pick of The Week: Twin Hand Movements by Lower Dens

Tuesday, August 10th, 2010

Lower Dens - Twin Hand Movements

Lower Dens - Twin Hand Movements
Somehow freak folk singer-songwriter Jana Hunter has put out an album with her new band on Gnomonsong, Andy Cabic (of Vetiver) and Devendra Banhart’s new label, and come up with something pretty unexpected: drone pop that combines shoegaze and post-punk. The Baltimore band also eschews the Technicolor, sugar rushed bliss of Wham City contemporaries like Dan Deacon or Ponytail in favor of a more subtle, dreamy kind of pleasure. The nocturnal music of Lower Dens sounds most like Yo La Tengo’s And Then Everything Turns Itself Inside Out or a Joy Division wrapped in a warm blanket.

Jana Hunter’s almost whispered vocals nicely accompany the nocturnal atmosphere of Twin Hand Movements. The album’s strength is in its subtlety – every track builds slowly but never reaches an epic guitar solo or repetitive chorus, and neither do they become a twenty minute post-rock marathon. Despite the music’s slow building, the band wraps most tracks up in just three minutes. Lower Dens’ understated pop leaves the listener just unsatiated enough to listen again.

So when driving on a warm, California summer night, I suggest grooving to the layered guitars of “Tea Lights,” or the tender churn of “I Get Nervous.”